Wishing Well
Needle Hits E Hoover Dam Your Favorite Thing No Reservations Can't Help You Anymore Lonely Afternoon New #1 Vaporub If I Can't Change Your Mind High Fidelity The Last Night Hardly Getting Over It Sinners And Their Repentances Roll Over And Die Poison Years Egøverride* I Apologize* Makes No Sense At All* Man On The Moon* Thumbtack Solo acoustic show except (*) solo electric. Thanks to Mark Weygandt, from whose website (now defunct) this information was retrieved, along with the informal show reviews and comments below, which were originally posted to the Sugar internet mailing list: -------------------------------------- From: Chris L Smith Sorry if this has been posted already. The Buffalo concert 5/3/97 was only the second Bob concert I have ever attended, the other being his 8/20/96 Rochester performance. For having the flu, Bob sounded incredible! He commented that he was less talkative because he'd rather give 90 minutes of great music than lower quality music and more talk. I think he seemed pleasantly suprised at his vocals last night; he jokingly staggerd off of stage after his acoustics, but seemed more jovial as he returned for the electric encore. ------------------------------------- From: Paul Hilcoff Saturday's Buffalo show was still more remarkable, though few in the audience were likely aware of the reason: Bob could barely even *talk* before the show--he'd blown out his voice at the end of the Toronto set-- and was afraid he wouldn't be able to sing at all. He somehow managed to "sing around" the problem (no audience participation proved necessary) in a way that made his voice sound as strong as ever, and even dared to produce some classic screams during "Poison Years" that brought whoops of appreciation from the audience. It was a real tour de force. After the show he still couldn't talk. The venue in Buffalo, the Tralfamadore Cafe (even more difficult to locate than it is to pronounce), had just opened its doors the night before, and is the latest in a string of new and restored entertainment spots to open in the up-and-coming theatre district. Buffalo's doing something right here, sinking some money into the arts as a way to revitalize the downtown, and it seems to be working. The Tralf, built with room sound in mind, is a very comfortable night club, more reminiscent of a jazz or supper club, its new carpet a welcome contrast to the slurry of spilled beer and D-Con that passes for a floor covering the typical rock club.
| Return to Hüsker Dü dates page |