Moving Trucks
Taking Everything First Drag Of The Day I Hate Alternative Rock Fort Knox, King Solomon Classifieds Wanted Was Art Crisis Lonely Afternoon New #1 Skintrade Eternally Fried Brasilia Crossed With Trenton Roll Over And Die Egøverride Reflecting Pool Deep Karma Canyon Disappointed Hanging Tree Sweet Serene See A Little Light Band: Bob Mould -- guitar, vocals Michael Cerveris -- rhythm guitar, backing vocals Jim Wilson -- bass, backing vocals Matt Hammon -- drums Thanks to Mark Weygandt, from whose website (now defunct) this information was retrieved, along with the informal show reviews and comments below, which were originally posted to the Sugar internet mailing list: -------------------------------------- From: Scot Richardson OK, last night’s show was great. Met up with a few listers prior to the show at "Let it Be." It was great to meet some more folks. I don’t have too much time today, so I’ll just get out the set list. All in all, 21 songs, only a couple of pauses. Bob did say something to the effect of "I guess I better say something, since this is home." He seemed to be pretty up beat (sorry ‘bout that pun). I talked with him for a couple of seconds before the show, as First Ave. was showing some WWF on the movie screen in front of the stage, I mentioned to him that they must have been thinking of him and invited him out to hang with the listers. He just kind of chuckled, and said, "No, thanks." Highlights: First Drag of the day really has become the "Big Assed Pop Song" that Bob promised that it would be back in New York at the Fez. Remove the pipe organ and add a second guitarist and that song is just damn hot. Other highlights: the Skintrade passthrough to E-Fried. Wow. ----------------------------- From: Jeff Runnels Just got back home from the Minneapolis show (helluva long drive). Some brief and possibly incoherent comments: Varnaline was dull. If you were a ways back from the stage and squinted abit, that Cerveris (too tired to look up the actual spelling) guy, with his shaved head and all, looked kinda' like Billy Corrigan on steroids. Highlights of the show, which frankly didn't quite live up to my expectations (call me jaded) included a version of New #1 that was far better than the recorded version and an absolutely great rendition of Eternally Fried. (I'm sure Paul - who I met briefly - will be posting a complete set list soon). Other than these two songs, I liked the two (?) Workbook selections best. Egoveride sounded like a big pile of mud from my perspective. Last Drag and Skintrade were weak. Although I didn't think the show was all that loud, the mix lacked definition and the leads were seldom loud enough. Bob was plenty animated, but didn't really look into it. This may sound wierd but Bob looked to me like he was just going through the motions. Grant was wondering around the bar area looking extremely dejected. Toward the end of the evening I saw him arguing vehemently with a bouncer ("you're on my shit list man!") who wouldn't let his 45 year old friend back into the drinking area without an ID (the bouncer was just doing his job - he wouldn't let me in either and I'm pretty ancient myself). ------------------------------- From: Seifert After seeing Bob some 5 times (Sugar, solo karioke, solo w/bass backup, solo, LDAPS, etc.), I have to say that he appeared to be in as much of a festive and happy mood as I have ever seen him perform in. We witnessed more jumpin' around and smiles than I've been able to note in the past. He actually looked like he might be having fun with the new material and all. His voice seemed to be in fairly decent shape also.....it was nice not to have him completely (or partially) 'hoarsed' out as he's been on occasion. All in all, the show seemed pretty solid to me and was full of positive energy! I feel we are so very fortunate to have had the opportunity to see Bob perform again using the full band format (and to hear as many of the 'old favorite' selections as we were able to also). Bob Mould is certainly the duely exalted 'great one'. What a complete treat the evening was (indeed, Varnaline was DULL after a 'fair' start). As long as Mr. Mould keeps putting a product out there for us....I'll be sure to follow. To the 'guy' who thwarted my wife's (and my) effort to purchase a cd of 'Black Sheets' & "greatest hits" by taking the last two copies......phooey on you (hehe). I guess we'll have to visit "Venus" records sometime when we are in the Twin Cities again. FYI, I was surprised not to have been stopped by anyone while wearing my "Bob Mould/ Sugar/ Husker Du - The Joke is Always on Us ~ ...Sometimes (sugar@csua.berkeley.edu) T-Shirt. I guess I missed all you listees that were at the show! We were standing by the end (away from 7th street entry) of the lower level bar directly facing the stage. Thanks for listening and take care.. -------------------------------- From: WmLKoch What's up with everyone dissing Varnaline? I thought they were great and sounded dead on. Maybe I just knew what to expect having been listening to them for about a year and a half now. Oh well. The Sunday night show was great. I thought Bob was in a great mood and seemed to be having way too much fun up there, bouncing around back and forth with a big grin on his face that was still there after the show. He thought the crowd was receptive and was looking forward to Monday nights show. Anyone go? Anyway, Sunday highlights: Hanging Tree was dead on. Eternally Fried was also great. I was surprised to hear someone say they were dissapointed with Skin Trade. Another great one but I also loved the song so I'm biased. Brasillia was also a great having not expecting it. Did anyone catch the little Michael Jackson "ow" Bob let out during Egoveride? Amusing.
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