Moving Trucks
Taking Everything First Drag Of The Day I Hate Alternative Rock Stand Guard Classifieds Wanted Was Art Crisis Anymore Time Between Skintrade Eternally Fried Lonely Afternoon Vaporub Egøverride Reflecting Pool Deep Karma Canyon Disappointed Hanging Tree Sweet Serene See A Little Light Band: Bob Mould -- guitar, vocals Michael Cerveris -- rhythm guitar, backing vocals Jim Wilson -- bass, backing vocals Matt Hammon -- drums Thanks to Mark Weygandt, from whose website (now defunct) this information was retrieved, along with the informal show reviews and comments below, which were originally posted to the Sugar internet mailing list: -------------------------------------- From: mark w I don't have the set handy, but I'm sure its forthcoming. I can post it later if it doesn't show up. I haven't seen anything else on the show so here's a few thoughts... Bob and band DID come on early, but then again, the ticket stated that doors were 6pm. I got to the gig only 5 minutes prior to Bob taking the stage around 7:30ish. I was literally (almost) caught with my pants down because I was in the restroom when I heard the crowd start cheering when the band took the stage. Doh! The show started out to be a scorcher. Bob is really nailing down "Anymore Time Between". Easily my favorite of the songs played so far on the tour. Crowd seemed reserved; Bob totally lost them when he pulled out "Vaporub". He seemed to sense this, as everything that came after seemed uninspired. And he was certainly less animated than previous shows. Micheal, on the other hand, is another story. During the course of the week he's become much more comfortable on stage, and it shows. For the last encore, Bob addressed the audience: "It's been a real pleasure coming to Toronto for the last time". A few boos followed. The last song of the night, "See a Little Light", really dragged. It was nowheres near as glorious and monumental as on previous nights. It really is a perfect set closer when it's done with some ooomph. Anyways, some nitwit jumped on stage in the middle of the song and proceded to stage dive. Looked like everyone parted and let him crash to the concrete floor. He was then promptly escorted to the door by security. Random notes: I haven't seen any mention of the "www.granarymusic.com" banner on the drum riser. Stickers are also being handed out. There's a full complement of Varnaline CDs, t-shirts, and stickers offered for sale, but no Bob stuff. Best show so far (Dakota shows non-inclusive, I wasn't there): Milwaukee. First of all, the premiere (I think?) of "Anymore Time Between" was FANTASTIC, and the version of "Hanging Tree" was properly ended with some big-ass screaming. Bob took the mic off the stand during the final seconds and concluded with the "should I/could I" mantra and then punctuated it with a huge scream. As Bob left the stage, he let out one final yell into Micheal's mic. -------------------------- From: david bester The setlist was pretty similar to the other ones here; he performed the two encore set, one of which was Hanging Tree. Lonely Afternoon was also in the set, but it did start with Moving Trucks and ended with Deep Karma Canyon, as far as I recall. Hung out by the bar a bit... The weirdest part was Bob & the band took the stage at 7:00, 'cause the club does a radio gig on Sunday nights, so there was no chance to hang out and chat with anyone after the show (AND they made us pay a cover to stay at the same bar...pricks). Pretty typical Toronto crowd, seemed to get into it halfway through, but was pretty noncomittal. The big highlight was everything played from the Hubcap record. Five songs came out: Anymore Time Between, I Hate Alternative Rock, Art Crisis, EgoOveride and DKC. I was shocked ATB got onto the setlist, but it was played beautifully. Made me sad that Along the Way from Last Dog and Pony Show didn't get a workout too. The highlight for me was Art Crisis, which surprised me since I don't think of it as a super song, but this one definately benefitted from a live workout. The guitar/bass interchange on the chorus was fantastic. I don't know much about the bass player, but he plays like a tank. Real solid set, but can you believe the thing was finished by 9:00? ----------------------------------- From: a.c. ware Myself & 3 friends I've converted to Bob came to Toronto all the way from Texas to see Bob. (Can't blame him for not playing in Texas, knowing the scene here as a musician myself--it sucks). The show was great with the band hitting full force after a few songs. The crowd was well-behaved (except for one stage diver) and actually seemed to be listening; a nice change from Dallas crowds. Bob was incredible as always, although he seemed to be in a bad mood before the show when we saw him outside--probably cause the opening band hadn't showed up yet. I saw Bob a few years back in Dallas by himself doing an accoustic show, and I have to say that although I'm glad I got to see him with a band, I'm not as upset as some people seem to be at the thought of future shows being accoustic only--he is even better that way, I can vouch for that, and I think his future music will surprise and please us all. Most important is that he should do what he wants; the music will only benefit from that; and I can understand his reasons; knowing the total mess of the music industry and how it wears you down. For me anyway, his songwriting is the important thing and the words what I relate to the most, and the great musicianship is great no matter what the form is. Thanks for making us feel less alone, Bob. We'll be listening to whatever you do and love it.
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