Moving Trucks
Taking Everything First Drag Of The Day I Hate Alternative Rock Stand Guard Classifieds Wanted Was Art Crisis Anymore Time Between Skintrade Eternally Fried Brasilia Crossed With Trenton Lonely Afternoon Egøverride Reflecting Pool Deep Karma Canyon Hanging Tree Roll Over And Die See A Little Light Band: Bob Mould -- guitar, vocals Michael Cerveris -- rhythm guitar, backing vocals Jim Wilson -- bass, backing vocals Matt Hammon -- drums Thanks to Mark Weygandt, from whose website (now defunct) this information was retrieved, along with the informal show reviews and comments below, which were originally posted to the Sugar internet mailing list: -------------------------------------- From: Novotny, Joe After having gotten there a little late (damn work), I managed to check out some of Varnaline's set which was a lot better than the one in Baltimore. I think they played about 50 minutes, eating into some of Archers of Loaf's time. This pissed them off, and in turn they kinda seemed like assholes. They were mad when they were told to leave at 10:10 pm (Bob was scheduled to go on at 10:30). After Bob's 5th song, he said, "Normally we'd leave, but since we're headlining we get to play some more." Touche, sir Bob! In any case, I have to say that Bob is God. Yeah, it's an overstatement to most, but not to me. This show blew away the 2nd night of New York, and maybe came close to the first. First of all, the band started off on the right foot with a nicely done version of Moving Trucks (better than the one in Baltimore). The next highlight for me was I Hate Alternative Rock...very loud, and it sounded tight. Stand Guard was a nice surprise again, but the biggest surprise of the evening (after the terrific versions of Skintrade and Eternally Fried) was BRASILIA. This version was fucking scorching....it started off nicely and quickly grew very sparse. Bob was practically singing it accapella and then like a tidal wave they rammed it out at the end. It was PERFECT...I can't listen to that song on CD ever again after hearing that version, since it was not unlike the intensity of the live version of the Slim from the Besides bonus disc. The best in my opinion, though, was the chainsaw-going-through-glass encore of Hanging Tree. It was played a little faster than the version I heard in New York...and what was great was when Bob left his Fender against the amp and let the distortion wail. So that's my report from DC. Great, great show and the band seemed to enjoy it a lot. The funniest part was when Michael's guitar strap broke in the middle of Hanging Tree and he was holding it up with his teeth. The rest of the band saw it and were laughing, but Bob didn't notice...he was in another world. SIGH! What a finale for me and Rick...the past few days have been exhausting, but truly amazing. BTW, after the show, Bob reiterated this: no reunions of any sort (Husker, Sugar, electric stuff, etc.) That implies a major tour with a lot of dates, and he is NOT going to do that. This tour has been pretty hectic for him, and I think he's really psyched about getting home in November and getting into a writing groove around the new year. He hopes to do solo acoustic gigs by May (but that is all VERY tentative of course). I think he is enjoying this tour, but it will be a great relief for it to be over, too. The other members of the band said they don't want it to end, though. ----------------------------- From: DCGaySLP Ok...operating theory is...the bigger the city, the better the show....so far the most amazing shows (even by the bands' admittance) have been Chicago, NY (especially Friday....I was there Sat)...and DC. I've never seen Bob so animated and smiling! He was most definitely feeding off the electricity in the room...some suprises...SCATHING version of Brasilia (oh yes...special "f*&% you's" go to the shitheads who were TALKING during Brasilia and Anymore Time Between)...the acoustics in the 9:30 club were nearly perfect and every guitar note was crystalline along w/ all the softly whispered lyrics (botched by the talking f&%$heads...).....enough yammering....STELLAR SHOW... Moving Trucks set the tone, and the house rocked through the whole set.... I've been to a LOT of concerts and had many experiences with meeting bands and getting autographs and things.....this night tops them ALL! Varnaline was VERY good tonight! Seemed to me on previous nights, the band dragged and 'ballad-ed' all night making me incredibly sleepy! The DC show was much more inspired....thanks to a nearly packed house early on in their set, I think. Archers....outside of the absolutely MANIC antics of bass-player Matt (very obviously a desciple of Flea....hehehe), Archers had only a few songs that truely impressed me....they also have a VERY strange sense of humor (the 'cold sore' joke....don't ask...you don't wanna know!) ------------------------------ From: Alex Hastings As the general opinion seems to be, this show ROCKED! Just start to finish full of emotion, and truly unforgettable. Everything sounded great, but I especially liked Michael's guitar and vocal work. It really let Bob stretch out in solos (witness Skintrade and Hanging Tree) and backed up his voice. Michael was also nice enough to give me his setlist after the show! The stretch from Anymore Time Between until Brasilia was absolutely incredible! I didn't hear people talking too much, but the bar clatter during Brasilia was shitty. Favorite moment: after Brasilia, Bob took a big swig from his water bottle, walked to the front of the stage, and spewed it into the air, pro wrestler style!!! Scans of the setlist and a little tour flyer I found are coming next week. Again, great show. ------------------------------ From: Jeff Runnels I'm finally back in Milwaukee after playing deadhead with Bob and company. I just wanted to weigh in on the DC show. First off, in a room containing what I 'm guessing to be around 1200 people, it was amazingly quiet during Bob's apparently off-the-cuff version of Brasilia. Now I saw him do this very same song twice before - in Milwaukee and Minneapolis - and this was a completely new approach to the dynamic of the song and for me the highlight of the evening. Even the venerable and inscrutable Mr. Hilcoff said something to the effect that Bob surprised him with it as if he 'pulled it out of his hat'. I've also never seen Bob do the spewing water overhead thing and I found it quite enjoyable. As for the Old Master's entrance, he looked to me as if he spotted some old friend or something in the crowd which elicited a big-ass grin and a playful swagger. At some point between songs, some drunken dork ( ?) in the audience yelled "play that one good one" which I think Bob actually enjoyed. He responded with the obvious question: "which one is that?" as he made a fairly lewd gesture. As for the Archers, when I talked to Bob in Milwaukee he seemed genuinely excited to have them playing backup for him. I have to agree though that they were pretty rough live - but I do like their new album. I struck up a preshow conversation with someone in the crowd who mentioned something about this only being the second show of the tour. When I stated that Bob, in fact, had been out on the road for at least three weeks already, she informed me she was speaking of the Archers (silly me). I've noticed a pattern in the 4 shows that I've now witnessed; when Bob announces that the band will be skipping ahead it appears to me that he is not 'getting in to it' all that well. It makes me wonder if he drops the more difficult songs if he feels his playing isn't up to par. I hate to say this out of respect for all the people who were at Charlottesville, but I thought the band (and Bob) actually screwed up a fair number of the songs. He didn't skip anything in DC and this was by far the best of the 4 shows I got to see.
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