Wishing Well
Hoover Dam Taking Everything Your Favorite Thing Can't Help You Anymore The Last Night Hardly Getting Over It Eternally Fried High Fidelity Brasilia Crossed With Trenton Poison Years Too Far Down See A Little Light Solo acoustic show. Thanks to Mark Weygandt, from whose website (now defunct) this information was retrieved, along with the informal show reviews and comments below, which were originally posted to the Sugar internet mailing list: -------------------------------------- From: Mcnultyjm I'm sorry to hear people had so many problems seeing the show over the web -- Bob put on a very nice show. I didn't write down a setlist, and I haven't seen one, so I'll give my 2 cents off the top of my head. Sorry for the long post. First off, the audience (much to surprise) consisted entirely of IFC (Independent Film Channel) guests and the 10 winners of the contest! The people were friendly and receptive, but for them it was basically a party, and Bob was part of that event. They were very enthusiastic early, but were a lot more detached than typical Bob crowds. I think Bob reacted to this a bit. He admitted being tired, cursed himself visibly throughout his set, and even apologized as he began his encore, but it was still a very good show. It could have been great, but the technical and audience distractions probably ruined that. The crowd talking was extremely loud and annoying throughout the show, as well as the socializing near the front of the stage. The stage lights dimmed/brightened without rhyme or reason throughout the set, and even went off a couple of times, most noticeably just after the beginning of "Brasilia." Bob kept playing, but he was obviously distracted by losing all the lights up front. Bob also sounded tired, particularly at the when start of "The Last Night" and "Poison Years," but he rallied to throw a ton of energy into the latter half of each song. Now, to the good stuff.... I'm really surprised no one has mentioned "New #1" as being THE standout. I walked out of the Knitting Factory believing I had witnessed the best version I've ever or will ever hear of that song. He played it a bit fast, which I think helped. Bob's eyes were rolling into his cranium and it seemed like he was pouring his whole body into it. The intensity of his playing and singing was right there with anything I've witnessed from Bob, and that's saying a lot. My other personal favorites: "Too Far Down," "Brasilia" (as usual -- great) and "Hoover Dam" (what a great song -- played 2nd). "Taking Everything" appeared third in the setlist. I'm really surprised that Bob is still playing this song, which I regard as classic "Bob filler" and not much more. I've now heard it acoustically, and my opinion hasn't changed. Other than that song, I thought the setlist was excellent, as well as widely varied. I was very happy to see "Hi Fidelity" back in the rotation (hopefully to stay), and there seemed to be much more pre-Hubcap material than I would have expected -- I think only "Eternally Fried" made it in from the Hubcap stuff. He played something from every album post-Husker except Beaster (counting "Eternally Fried" as Hubcap), including (I think) 4 from Workbook. This also may be due to the fact that Bob was not playing off a setlist, which was unusual. And it's too bad Bob didn't play any new stuff, but I'm guessing that was due to the Web audience, and his worries about people stealing his material, etc. It would have been a great room to hear the new stuff in. I have a feeling his choice of "See a Little Light" to close was his concession that he'd end on an up note, and in familiar territory, with an audience that was just getting to know his core material.
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