Blow It Off was the brainchild of recording engineer
Scott Colburn, then of Indiana,
lately of Seattle. Gravelvoice, the record store whose stamp appears on the
cover of issue #2, survives as his
record label.
Colburn attended the
14 Apr 1983
Hüsker Dü gig at the
Jockey Club in Newport KY, where he interviewed the band for the magazine.
He also
reviewed the show in this issue.
The interview is reproduced below with his kind permission.
Per recent custom around here, it's presented as images of the three constituent
pages followed by a verbatim transcription of the text.
("Marvin," who asks a couple of questions during the interview, is not
identified or listed in the masthead.) Photo credits: Scott
Colburn.
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Hüsker Dü Intervü | |
(HUSKER DU were interviewed by Scott Colburn on April 14, 1983) SCOTT:O.K.,Let's start with new record. Greg:Check,check S:How's the new record selling? Bob:Well it's selling real well We started out with the initial pressing of 5000 copies and sent them out to distributors.As soon as that money comes in we'll press another 2000 but that takes 60-90 days. S:Are you still selling your old stuff? B:Statues is out of print.In A Free Land is out of print.Land Speed Record is essentially out of print but you can still find them in stores. S:I heard AOF talking about how you rejected Electra B:Ha ha ha ha,Here it goes fin- ally got out.Well essentially what it was is that a guy that worked for Electra had been calling a couple times and was real interest -ed in the band.Basically we just said no. S:That's good. B:Well the reason being that there is nothing wrong with being on one of those labels,but we're not ready yet cos I'm not ready to sign my life away and secondly we don't exactly have a big plan What I mean is how much stuff we are going to turn over to a label like that.As far as artistic control and all that it's a touchy thing to do .We've been doing it for 4 years and we still don't know too much about the business. It just wasn't the right time.I don't think there's anything bad about major labels it's just you have to know what you want before you do something like that.You can't just go 'Yeah we got a call from BBbbbbbooooom.Let's jump on it and you're fucked.'You gotta figure out what you want to do and talk to people before.It takes alot of planning to do something that major. |
S:But you learned alot working with Spot. B:Oh,for the studio stuff?Yeah. S:What was it like working with him. B:Real good.He's real energetic the same way we are.We like to do things quick.He's real creative and real open to suggestion about sound or sound textures and things like that. G:Provides a lot of suggestions. B:Yeah,and I think that it could have come out better.We've done some stuff with him since that album that sound 100 x better.It's a full -er sound than we've had on the other albums.It just seems to get better. S:Are you on tour right now? G:Yeah we're on our [way] to the east coast.It's basically a quick tour. We'll only be on the road for 3 weeks. S:Is this the first part of it? G:Yeah,this is the 3rd show and from here we go to Philadelphia. Then we'll do a week on the east coast itself and the last week work our way back. B:New York,Boston,Providence,D.C., Richmond,then work our way back.It's pretty much one week,one week,one week. S:Do you have a schedule like 2 shows a week B:We like to play every night. G:We're trying to play as many nights as possible.7 nights a week sounds good. B:If we could do it we would.That's the only way to tour.Days off are money spent. Marvin:Are you doing alot of all age shows? G: Yeah we're trying to do as many as possible. B:I think we got one that's not. One or two S:This one. B:The Chicago show we just did and I don't know if the Cleaveland show is or not. Marvin:You guys were up against Circle Jerks in Chicago.How did that go? |
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B:We split it with them I think At the over 21 show they had the same amout people we did.We did bad though.I'm sure they did equally as bad.There's no over 21 scene in Chicago anymore.It's all kids. S:That's what Vic told me.If you play Chicago play all age or you'll get wiped out. Marvin:That's the way it is every- where now.We could have set you up at a bar but nobody would get in that wanted to see you S:Skitz is too sly.They know us.... ..Weren't you just on tour? B:Yeah Dec. and Jan.? G:Yeah last weeks of Dec. and Jan. We went south to Texas then west up to SF.Then basically retraced our rounds to come back. S:Did you play in Canada? G:Not the last trip. S:What were your experiences with other people in other areas? B:Pretty much everywhere we get a good reception.Every city's differ- ent.Alot of it has to do with the economy and whether it's all ages or not.There's alot of things invol- ved.It's hard to say one place is better than the other.We have fave- orite places but in a couple of citys you get nobody at all and it's not that much fun. (interview moves to store front) S:O.K. here we go this is like a studio....What's the scene like in Minneapolis? B: It's real good.There's alot of new bands.I'll say it again.It's hard to compare scenes, but minne- apolis is real strong.It just seems like every time you turn around there's new bands.Every month there is a new band.Everyone's trying to get records or tapes out.That's good. G: There's a couple of places to play. B: You can do all age show pretty easy,but Minneapolis is good cos the scene isn't just under 21 or under 19.There's alot of people in their 20's and 30's that go out.It's a real open city.People are real open-minded to it. S: Do you guy's help set up gigs in your area? | |
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B: Quite a bit. S: Do you do most of it or are there promotors too? B: There are no promotors but there are people who book shows.There's 1st avenue.There's a guy who does shows there.There's Upper Deck.There's a guy who does shows there.Basically it's real easy if we have to play a liazon between a band that's not real well known,a club owner will gladly do it.Like say Mecht Mensh from Madison,We'll say yeah you should book these guys they are friends of ours.They are a real good band.People know who they are. We don't set up shows straight out we just help people do it.The club owners are real easy to work with. They are not out to screw people. S: How about a classic question. What does the name mean? G: It's Dannish and it means Do You or Can You Remember S: Here's a interesting and original question.What kind of equiptment do you use? B: OH OH All right Grant go ahead. Grant:NO,I got Ludwigs,the old Lud- wigs 3-ply.umm,Regal tipped sticks (all laughing:Speed King Pedals and Tama seat) S: You had a piece of cardboard inside the bass drum.What was that? Grant:It's a new experiment tonight. It's in there to protect the drum while it's being moved.When we set up today I hit it a few times and it sounded cool. B: Ohh,I got the Ibanez flying V'76. I got a Yamaha G-100 guitar head and a Ampeg V-2 bass cabinet with 4x12" for that big sound. G: Gibson Victory bass Standard model.MXR distortion box and bass flanger.GBX powered bass bottoms with 4x10"90 watts and a ½ watt pre-amp.It's Canadian. B: I use the MXR distortion too and a stereo chorus S: Any special message you want to communicate? B: We just want people to think for themselves.Do something,don't be discouraged. S: Isn't your newer stuff slower than normal? |
Grant: Speed in itself upstages everything else you're trying to do. B: Yeah speed for the sake of being fast is the worst thing you can do. We started to get in that rut and we said'Wait a minute,the tunes are being obscured and people don't here the words,They don't here the riffs. S: Any last comments? B: Everyone should do something to help out alot. Grant: Send Husker Du alot of money! B: Boycott Stroh's until they change the can back.The money would help us.It's just hard to put into words.I just hate to see kids lay around and do nothing. Grant: Support you local rock move- ment! |
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